（完整版）

Thank you racee!

謝謝你，瑞茜。

In 1964, I was a little girl sitting on the linoleum floor of my mother's house in Milwaukee watching Anne Bancroft present the Oscar for best actor at the 36th Academy Awards.

1964年我還是一個小女孩，在密爾沃基的我媽媽的房子里，我坐在油氈地板上觀看第36屆奧斯卡直播，當時安妮·班克羅夫特要頒出奧斯卡最佳男主角獎。

She opened the envelope and said five words that literally made history: 'The winner is Sidney Poitier.' Up to the stage came the most elegant man I had ever seen. I remember his tie was white, and of course his skin was black, and I had never seen a black man being celebrated like that.

她打開信封，念出了改變歷史的幾個字：“獲獎?wù)呤俏鞯履帷げǖ侔＃ǖ谝晃缓谌藠W斯卡影帝）。接著我記憶中最優(yōu)雅的男人走上了舞臺。他打著白色領(lǐng)帶，有黑色的皮膚，此前我從未看到過有別的黑人男性被像這樣慶祝。

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I tried many, many times to explain what a moment like that means to a little girl, a kid watching from the cheap seats as my mom came through the door bone tired from cleaning other people's houses. But all I can do is quote and say that the explanation in Sidney's performance in 'Lilies of the Field':'Amen, amen, amen, amen.'

一個孩子坐在廉價的椅子上，看著電視直播，而她媽媽不辭辛勞地打掃完別人的屋子，剛從外面回家，我曾一次又一次地嘗試著去解釋：這樣一個時刻對一個小女孩有怎樣的意義。而我唯一能夠給出的解釋，就是引用西德尼在他奪得奧斯卡之作《原野百合花/Lilies of the Field》中的一句臺詞：“阿門，阿門，阿門，阿門?！?/span>

In 1982, Sidney received the Cecil B. DeMille award right here at the Golden Globes and it is not lost on me that at this moment, there are some little girls watching as I become the first black woman to be given this same award. It is an honor -- it is an honor and it is a privilege to share the evening with all of them and also with the incredible men and women who have inspired me, who challenged me, who sustained me and made my journey to this stage possible.

1982年，西德尼也站在這里，被授予金球獎終身成就獎。就在此時此刻，我注意到：也有很多小女孩看著我成為首位獲得金球獎終身成就獎的黑人女性。這是一項榮譽，我也很榮幸能和她們一起分享這個夜晚，與那些激勵著我的人、挑戰(zhàn)過我的人、一直支持著我直至這個舞臺的人分享這項榮譽。

Dennis Swanson who took a chance on me for 'A.M. Chicago.' Quincy Jones who saw me on that show and said to Steven Spielberg, 'Yes, she is Sophia in 'The Color Purple.'' Gayle who has been the definition of what a friend is, and Stedman who has been my rock -- just a few to name.

丹尼斯·斯萬森冒險給了我一次機會，讓我主持《A.M。芝加哥》脫口秀。昆西·瓊斯看到我在節(jié)目中的表現(xiàn)之后就推薦給史蒂文·斯皮爾伯格，告訴史蒂文：“你要找的《紫色》里的索菲亞就是她?！蔽乙惨兄x我的朋友蓋樂，我也要感謝斯泰德曼（奧普拉的丈夫，一位作家），他一直是我的基石。

I want to thank the Hollywood Foreign Press Association because we all know the press is under siege these days. We also know it's the insatiable dedication to uncovering the absolute truth that keeps us from turning a blind eye to corruption and to injustice. To -- to tyrants and victims, and secrets and lies. I want to say that I value the press more than ever before as we try to navigate these complicated times, which brings me to this: what I know for sure is that speaking your truth is the most powerful tool we all have. And I'm especially proud and inspired by all the women who have felt strong enough and empowered enough to speak up and share their personal stories. Each of us in this room are celebrated because of the stories that we tell, and this year we became the story.

我要感謝好萊塢外國記者協(xié)會。我知道新聞界最近承受了很大的壓力，我們也知道要揭開事實真相，讓大家正視曾經(jīng)視而不見的腐敗和不公正需要付出多大的努力。我想說的是，在我們努力挺過這段艱難時刻的同時，我也比以往任何時候都更尊敬新聞媒體，我也意識到了一點：說出事實真相是我們都擁有的最強大的工具。所有那些勇敢說出真相、分享自己故事的女性，她們讓我特別自豪、也特別鼓舞人心。在這里的每一個人都應(yīng)為我們講述的故事而自豪，而在今年，我們自己也成為了故事。

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But it's not just a story affecting the entertainment industry. It's one that transcends any culture, geography, race, religion, politics, or workplace. So I want tonight to express gratitude to all the women who have endured years of abuse and assault because they, like my mother, had children to feed and bills to pay and dreams to pursue.

然而這個故事并不僅僅對娛樂產(chǎn)業(yè)產(chǎn)生了影響，它還是一個超越文化、地理、種族、宗教、政治和工作的故事。所以今晚我要借此機會感謝所有長期經(jīng)歷折磨和侵犯的女性，她們就和我的母親一樣，有孩子要養(yǎng)育，有賬單要支付，還有夢想要追尋。

They're the women whose names we'll never know. They are domestic workers and farm workers. They are working in factories and they work in restaurants and they're in academia, engineering, medicine, and science. They're part of the world of tech and politics and business. They're our athletes in the Olympics and they're our soldiers in the military.

她們是一些我們永遠都無法得知姓名的女性。她們是女傭、農(nóng)民，她們在工廠工作，在餐廳工作，在學(xué)術(shù)界、在制造界、在醫(yī)藥界、在科學(xué)界工作。她們是這個世界科技、政治和商業(yè)的一部分。她們是奧運會的運動員，是軍隊中的士兵。

And there's someone else, Recy Taylor, a name I know and I think you should know, too. In 1944, Recy Taylor was a young wife and mother walking home from a church service she'd attended in Abbeville, Alabama, when she was abducted by six armed white men, raped, and left blindfolded by the side of the road coming home from church.

我還要談?wù)劻硪粋€人，蕾西·泰勒。我知道這個名字，我認為你們也該知道這個名字。1944年，年輕的妻子和母親蕾西·泰勒在阿拉巴馬州阿布維爾的教堂做禮拜之后步行回家，她被六名白人男子誘拐并強奸，被蒙住眼睛丟棄在教堂回家的路上。

They threatened to kill her if she ever told anyone, but her story was reported to the NAACP where a young worker by the name of Rosa Parks became the lead investigator on her case and together they sought justice. But justice wasn't an option in the era of Jim Crow. The men who tried to destroy her were never persecuted.

他們威脅她不要說出去，不然就會殺掉她，但她的經(jīng)歷之后被報告給NAACP（有色人種協(xié)進會），那里一個名叫羅薩·帕克斯（美國黑人民權(quán)先鋒人物之一）的年輕人成為這起案件的主要調(diào)查員，和泰勒一起尋求正義。然而在那個吉姆·克勞法（美國南部各州曾經(jīng)施行的針對有色人種尤其是黑人進行種族隔離的法律）的年代，她們根本就無法討回公道。那些試圖毀滅泰勒的男人從來沒有遭到審判。

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Recy Taylor died ten days ago, just shy of her 98th birthday. She lived as we all have lived, too many years in a culture broken by brutally powerful men. For too long, women have not been heard or believed if they dare speak the truth to the power of those men. But their time is up. Their time is up.

泰勒10天前去世了，差一點就是她的98歲生日了。她有著和我們一樣的經(jīng)歷，在野蠻強權(quán)男性掌權(quán)的文化背景中生活了很多年。在很長一段時間里，即使有女性敢于說出真相，指控那些掌握權(quán)力的男性，她們的聲音也沒人傾聽，沒人相信。然而這樣的日子已經(jīng)到頭了，這樣的日子已經(jīng)到頭了！

And I just hope -- I just hope that Recy Taylor died knowing that her truth, like the truth of so many other women who were tormented in those years, and even now tormented, goes marching on. It was somewhere in Rosa Parks' heart almost 11 years later, when she made the decision to stay seated on that bus in Montgomery, and it's here with every woman who chooses to say, 'Me too.' And every man -- every man who chooses to listen.

我只是希望泰勒在死前知道自己的真相已經(jīng)為人所知，很多其他曾經(jīng)遭受過折磨、現(xiàn)在可能依然在遭受折磨的女性，她們的事實真相也在被正視。在羅薩·帕克斯內(nèi)心深處有些東西促使她做出決定，在那件事發(fā)生近11年后在那輛蒙哥馬利的公車上拒絕讓座（帕克斯最著名的事跡是在公車上拒絕給一名白人男子讓座而被逮捕，后續(xù)引發(fā)了規(guī)模龐大的黑人民權(quán)運動），同樣的東西，促使很多女性在網(wǎng)上說出“我也是”（Me too運動）。促使此時此刻，每一位男性、每一位女性都選擇了去傾聽。

In my career, what I've always tried my best to do, whether on television or through film, is to say something about how men and women really behave. To say how we experience shame, how we love and how we rage, how we fail, how we retreat, persevere and how we overcome.

在我的職業(yè)生涯中，不管是在電視熒屏上，還是大銀幕上，我都盡我所能去講述，關(guān)于男性或者女性如何行為得體，告訴大家我們應(yīng)該怎么經(jīng)歷羞恥，如何去愛，如何去怒，如何失敗，如何撤退，如何堅持，如何克服。

I've interviewed and portrayed people who've withstood some of the ugliest things life can throw at you, but the one quality all of them seem to share is an ability to maintain hope for a brighter morning, even during our darkest nights.

我采訪過他人，自己也飾演過一些角色，這些人或者角色經(jīng)歷了世間最丑陋的事情，但他們都擁有同樣的品質(zhì)，那就是留有希望。盡管他們正經(jīng)歷著最黑暗的夜晚，但也要期待更美好的未來。

So I want all the girls watching here, now, to know that a new day is on the horizon! And when that new day finally dawns, it will be because of a lot of magnificent women, many of whom are right here in this room tonight, and some pretty phenomenal men, fighting hard to make sure that they become the leaders who take us to the time when nobody ever has to say 'Me too' again.

所以我希望電視機前所有的女孩們都知道，新的一天即將到來了。當新的一天最終降臨時，大家都要感謝一大批偉大的女性，而且其中很多人今天就在現(xiàn)場。我們也要感謝一些杰出的男人，他們努力奮斗，確保自己成為領(lǐng)袖，帶領(lǐng)我們來到一個沒有人會再說“我也是”的時代。

--End--

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