設計項目 ：家具體驗館

所屬業(yè)主 ：生活大師

設　　計 ：趙睿

圖像攝影 ：趙睿、楊躍文

技術負責 ：莫振泉

文字記錄 ：楊躍文

編　　輯 ：伍啟雕、謝瑜明

設計時間 ：2014年

設計公司 ：緯圖設計有限公司

Design projects ：Furniture experience pavilion

The owner ：Life Master

The Designer ：Zhao Rui

Image photography ：Zhao rui,Yang Yuewen

Technical director ：Mo Zhenquan

Written records ：Yang Yuewen

The editor ：Wu Qidiao,Xie Yuming

Design time ：In 2014

Design company ：V2Design

生活大師家具體驗館【第二期】是一個相對特殊的展示空間設計案例，特殊性在于設計者需要構建一個空間氛圍，并且能夠同時承載極具差異性的家具。

Furniture Showroom of Life Master (II) is a relatively special exhibition space design case，its particularity is that designer needs to create a space atmosphere which can at the same time carry the brand furniture with extremely differences.

那么設計者如何去直面這種差異性，又同時讓一個空間作品葆有其自主性邏輯，或者說是保持一個相對統(tǒng)一的空間氛圍？這對設計者而言，是一個設計線索隨著線條的疊加，漸漸浮現(xiàn)和清晰的過程。

So how the designer to face this kind of difference directly and at the same time make space artwork maintain its autonomy logic, or keep a relatively uniform space atmosphere?This is a process ,for the designer, with design clues gradually emerging and clear ,as the superposition of lines.

首先，在店鋪的外觀設計上，設計者采用線性的構成手法來延展整體店面的形象設計，通過45度網(wǎng)格線的交錯切割，適當抽離部分線條，使得其在立面上形成豐富的韻律感。

First of all,designer uses linear composition technique to extend the overall store image design on the store’s appearance design,to pull away part of lines by the grid lines staggered cutting of 45 degrees,so as to make it form a rich sense of rhythm on the elevation.

然后，結合三個立面關系，再以大跨度的斜切，在立面上自然形成了不規(guī)則斜窗，并結合平面的動線關系，主次入口的位置得以確認并且融合在整體的設計語言中。

Then combining the relation between the three elevation,naturally formed irregular inclined window on the elevation by large span of oblique cutting.And combining the moving lines relationship of plane,the location of the primary and secondary entrance can be confirmed and can integrate in the whole design language.

基于大跨度斜窗設置，隨著人在展廳周邊的身體移動，展廳內(nèi)部的家具在視覺上呈現(xiàn)出一種漸隱漸現(xiàn)的動態(tài)變化狀態(tài)，給人和家具之間的交流互動制造了一種戲劇化的模式。再加上自下而上漸變的霧化玻璃效果，店面的整體外觀設計一定程度上為客人提供了一種更加豐富的觀看和消費體驗。

Based on the large span inclined window settings,furniture inside the hall present a visually fade-in and fade-out dynamic change state as people move their bodies around the hall, it will create a dramatization pattern on the communication between people and furniture. Coupled with the gradient effect of atomizing glass from bottom to top, the store’s overall design provides guests with a more rich experience of watching and consumption to some degree.

首先在空間的經(jīng)營層面，設計者與甲方團隊就展示情景模式和平面流線進行頻繁深入的溝通，把前臺辦公設置在兩種家具轉(zhuǎn)折過渡區(qū)域，這樣更加方便工作人員及時與高效地應對參觀者的需求和相關服務。

Firstly, in the management level of space, designer team frequently in-depth communicate with party A about showing the profiles and surface streamlines, we place the front office reception in the transition area of two kinds furniture, so that staff can timely and efficiently meets the needs of visitors and related services.

在空間氛圍的營造上，設計者試圖為空間構筑一個可以容納兩種性格家具的整體空間界面，從而可以消解兩種家具風格并置所造成的沖突感和緊張感。

On the space atmosphere creation, the designers try to create an integral space interface which can accommodate furniture of two characters in order to eliminate the conflict and tension caused by the collocation of two different furniture styles.

具體的策略便是，在延續(xù)線性元素構成基調(diào)下，地面和天花材料在兩個區(qū)域的互相入侵和穿插，一定程度上為整體氛圍的設定找到了相對合適的制衡方式。

The specific strategy is that the invasion and interspersed with each other in two areas of ground and smallpox material under the keynote of the linear elements continuation, so that to some extent come up with relatively appropriate checks and balances for the overall atmosphere settings.

最后，設計者想強調(diào)的是：不管是體驗館形象設計，亦或是空間內(nèi)部的裝飾風格，最終都回歸到彰顯產(chǎn)品的特色本身。在為業(yè)主創(chuàng)造商業(yè)價值的同時，也在另一層面上，設計者通過家具在室內(nèi)中的重構組合和情景設置，也試圖為進一步延展和深化符合當下的生活方式而努力。

Finally, the designer wants to stress is that whether it's showroom image design or the adornment style of inside space, eventually will return to reveal the characteristics of the products. At the same time of create business value for the owners, designers tries to further extend and deepen in accordance with the present way of life by reconstructing furniture and circumstance setting in interior.

設計師信息：

趙睿：緯圖建筑設計裝飾工程有限公司/CEO/設計總監(jiān)

1994年始從事建筑及室內(nèi)設計行業(yè)。公司項目涉及大型建筑規(guī)劃工程建設與設計，其中包括酒店和會所，公共及私人住宅，品牌展廳策劃及企業(yè)辦公空間設計等等。同時不斷延伸創(chuàng)作邊界，涉足繪畫，裝置，家具及燈具產(chǎn)品設計。力求將日常生活中獲取的養(yǎng)分以差異性的方式及媒介落地，最終構筑一種相對適度和理想的生活形態(tài)。

ZHAO Rui, design director of V2 architectural design decoration engineering Co., Ltd.

Since 1994 he engaged in architecture and interior design industry.Company business involves construction and design of large construction planning project, including hotels and clubs, public and private houses,brand showroom planning and corporate office space design and so on.In the meanwhile the company constantly extend creative boundaries to painting, device, product design of furniture and lamps.We strive to make the nutrients in daily life touch down by media and ways in the form of diversity, and eventually we will build a relatively modest and ideal life form.

個人榮譽：

1.榮獲“13/14亞太室內(nèi)設計精英邀請賽金獎”

13/14Asia Pacific Interior Design Awards for Elite Gold Award

2.榮獲“2014年金堂獎 年度十佳餐飲空間設計獎”

Jintang Prize Top Ten restaurant space Design Awards 2014

3.榮獲加拿大“GRANDS PRIX DU DESIGN/2015特別大獎”

GRANDS PRIX DU DESIGN/2015 Special Award

4.榮獲2014年IAI設計獎-“最佳設計大獎”

IAI Design Award 2014 Best Design Award

5.榮獲2015年金創(chuàng)意國際空間設計大賽“商業(yè)展示類-金獎”

Golden-Creativity International Space Design Competition Awards-“Commercial Exhibition Space- Gold Awards”