尤金·德·布拉斯（Eugene de Blaas），又名Eugene von Blaas或Eugenio Blaas（1843-1931-）意大利畫(huà)家，在學(xué)院派古典主義學(xué)院（Academic Classicism）工作。

　　他出生在羅馬附近的阿爾巴諾，父母是奧地利人。他的父親卡爾也是個(gè)畫(huà)家，是他的老師?？柍蔀橥崴箤W(xué)院教授后，全家搬到了威尼斯。他經(jīng)常在威尼斯畫(huà)風(fēng)景畫(huà)，也畫(huà)肖像畫(huà)和宗教畫(huà)。

　　與現(xiàn)代威尼斯庭院、陽(yáng)臺(tái)和運(yùn)河的精致粉彩和蝕刻畫(huà)相比，他筆下描繪的威尼斯平民生活多姿多彩且相當(dāng)戲劇化，如《陽(yáng)臺(tái)上》（On the Balcony，1877年，（私人收藏）截然不同。

　　尤金·德·布拉斯的畫(huà)作曾在倫敦皇家學(xué)院、美術(shù)協(xié)會(huì)、新畫(huà)廊和亞瑟·圖森畫(huà)廊展出，也在利物浦的沃克美術(shù)館展出。

Eugene de Blaas, also known as Eugene von Blaas or Eugenio Blaas, was an Italian painter in the school known as Academic Classicism.

He was born at Albano, near Rome, to a Tyrolean father and Italian mother. His father Karl, also a painter, was his teacher. His mother, Agnesina Auda, was a well-to-do Roman woman. The family moved to Venice when Karl became Professor at the Academy of Venice. He often painted scenes in Venice, but also portraits and religious paintings.

Among his works are La forma nuziale in sacrestia; La tombola in Campielo a Venezia; Una scena di burattini in un educanciatu; and La Ninetta. The art critic Luigi Chirtani, when the painting was displayed at the Mostra Nazionale di Venezia, described it as Beautiful, flattering, pretty, caressed, cleaned, polished, laundress in a painting by Mr. Blaas, the favorite portraitist of great Venetian aristocrats, dressed in gala satins, shining jewelry, hairstyles of the rich.

His colorful and rather theatrical period images of Venetian society, e.g. On the Balcony (1877; Private Collection), were quite different compared to delicate pastels and etchings of the courtyards, balcony and canals of modern Venice.

Eugene de Blaas' paintings were exhibited at the Royal Academy, Fine Art Society, New Gallery and Arthur Tooth and Sons Gallery in London, and also at the Walker Art Gallery in Liverpool.

《在陽(yáng)臺(tái)上》（1877 年;私人收藏）