No 40 (Blue Penumbra), 1957
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'If you are only moved by color relationships, you are missing the point. I am interested in expressing the big emotions - tragedy, ecstasy, doom.' “如果你只是被顏色的關(guān)系所打動，那你就沒有抓住重點。我感興趣的是表達大的情感——悲劇、狂喜、毀滅?！?nbsp; ———— 馬克·羅斯科 許多人對馬克·羅斯科的作品表示疑惑，不就是在一面墻一般大的畫布上平涂幾個大色塊嗎，怎么就被尊為大師，動則就幾千萬美元一張？ 其實，繪畫發(fā)展到上世紀五、六十年代就已經(jīng)門派林立樣式繁多了。不僅在審美情趣上對傳統(tǒng)有所顛覆，就連觀賞的秩序上也和以往大有不同。通俗直白的解讀就是：以往傳統(tǒng)寫實繪畫看人物的外貌、服飾和環(huán)境；而抽象繪畫忽略這些表象，只看思想和秉性。 怎奈，習慣品賞顏值是早已植入人心深處，難怪某大爺說：男人睡的就是一張臉！ 現(xiàn)當代藝術(shù)，除了取悅眼睛，更加注重心靈深處的考量。 只要你把“是什么？像什么？做什么？”擱在一邊，看看藝術(shù)品給你帶來什么樣的心靈感受，那我實在地告訴你，你有福了，你開始了一條不同以往的嶄新道路，必將隨之帶來全新的感受！ 2019年 我和快滿8周歲的女兒時隔兩年再次參觀洛杉磯當代藝術(shù)博物館，這里有一間專門懸掛馬克·羅斯科mark rothko作品的展廳。 在洛杉磯當代藝術(shù)博物館，馬克·羅斯科展廳。 我坐在展廳中間的休息長凳上遠觀作品，女兒觀看了一圈之后對我說：“爸比，抱一下”。于是，我離凳單腿跪地蹲下張開雙臂，她從遠處奔跑而來，張臂撲在我的懷里，然后說著相互表達愛意的話語，這是她4歲以來我們兩人彼此默契的示愛流程。 “爸爸，我看不懂啊?！?/p> “爸爸覺得你一定看懂了?！?/p> “畫的什么啊，什么也不像?！?/p> “這些畫不是畫外表的，是畫情緒的?！?/p> 我讓女兒坐到我的身邊。 “你現(xiàn)在再看一下墻上這兩張畫，爸爸說詞語，你告述我是哪一張？” “好的，就說左邊還是右邊吧?！?/p> “寒冷和孤單?！?/p> “右邊?！?/p> “溫暖和熱鬧?！?/p> “左邊?！?/p> “黑暗和恐懼，就是心里怕?！?/p> “右邊。” “光明和高興。” “左邊。” “你希望天堂在左邊還是右邊？” “左邊?！?/p> “爸爸很開心，你理解的都對，你原來早就讀懂了。” “刷刷刷，和爸爸的畫差不多?！?/p> 女兒開心地又圍著展廳轉(zhuǎn)圈了，好在此刻無他人。 英國拍攝的羅斯科傳記電影《Red》畫面。2018年11月7日上映 1969年 耶魯大學贈與馬克·羅斯科榮譽博士學位，以褒獎這位在耶魯大學就讀一年就主動退學的學生： “作為少數(shù)幾名可以稱為美國新畫派創(chuàng)始人之中的一位，你為你自己在美國藝術(shù)上創(chuàng)造了一個永久的地位。你的畫以簡單的形式和動人的顏色著稱。你在這些以人性存在的悲劇為基礎的作品里，達到了視覺和精神上的宏偉境界。你的影響滋養(yǎng)了無數(shù)世界各地的年輕藝術(shù)家，耶魯大學尊崇你的影響力，決定頒贈藝術(shù)榮譽博士學位給你。” 66歲的羅斯科隨即感概道：“我年輕的時候，從事藝術(shù)是一件孤獨的事情：沒有畫廊，沒有收藏家，沒有評論家，沒有錢。但那是一個黃金時代，那時我們一無所有，不害怕失去任何東西，我們擁有想象力?，F(xiàn)在的情形完全不同了。這是一個充滿了冗詞贅語、活動、消費的時代。……但我相信那些從事藝術(shù)的人們，渴望找到一種安寧的狀態(tài)?！?/p> Orange,red,yellow, 1961 這幅畫中的矩形并沒有延伸到畫布的邊緣，看起來只是懸浮在畫布的表面。增強這種感覺是彩色韻像的效果。盯著每一個有顏色的部分看，會影響相鄰部分的感知。這幅畫的橙紅色的中心為上面的黃色加上一點綠色。上面的黃色似乎使橙色染上了藍色。盡管有這些色彩關(guān)系，羅斯科不希望他的照片僅僅因為光譜色彩質(zhì)量而被欣賞。 在他去世42年后，馬克·羅斯科(Marc Rothko)在佳士得(Christie's)的一場拍賣會上創(chuàng)下了紀錄，這也有它自己的理由載入史冊。由橙色、紅色、黃色三種顏色組成的絢麗的友誼——羅斯科1961年創(chuàng)作的永恒作品，以8700萬美元的價格打破了戰(zhàn)后和當代藝術(shù)的所有記錄。 '我認為我的畫是戲劇;圖畫中的人物是表演者。' 馬克·羅斯科,1947 No. 2, 1947 Courtesy National Gallery of Art, Washington, D.C. No. 9 Price realised USD 506,500 Estimate USD 500,000 - USD 700,000 Provenance Betty Parsons, New York, acquired in 1952 Untitled , 1947 ，Multiform oil on canvas 155 x 118.7 cm
Untitled , 1947 Oil on canvas
Untitled , 1947 Oil on canvas
Yellow ,cherry,orange , 1947 oil on canvas 173 x 107 cm
No. 10, 1948 oil on canvas 164 x 108 cm, National Gallery of Art, Washington, DC ? Kate Rothko Prizel and Christopher Rothko/DACS 2016
No.5 / No.24, 1948 oil on canvas 86.1 x 127.6 cm Museum of Modern Art, New York City ? Kate Rothko Prizel and Christopher Rothko/DACS 2016
No1 ( No.18, 1948), 1948 oil on canvas ? Kate Rothko Prizel and Christopher Rothko/DACS 2016
Untitled, 1948 oil on canvas 114 x 85.4 cm Private Collection ? Kate Rothko Prizel and Christopher Rothko/DACS 2016
No. 18 Price realised USD 1,219,500 Estimate USD 1,000,000 - USD 1,500,000 Provenance Betty Parsons Gallery, New York
No.1, 1948 oil on canvas 270.2 x 297.8 cm, Museum of Modern Art, New York City ? Kate Rothko Prizel and Christopher Rothko/DACS 2016
Untitled {Multiform}, 1948 oil on canvas, 88-7/8 x 65' (225.7 x 165.1 cm) ? 2019 Kate Rothko Prizel and Christopher Rothko / Artists Rights Society (ARS), New York
1948 No1 ( No.18 1948 )
Untitled, 1948 oil on canvas, 152.5 x 126.5 cm Fondation Beyeler, Riehen ? Kate Rothko Prizel and Christopher Rothko/DACS 2016
Untitled , 1948 ? 1998 Kate Rothko Prizel & Christopher Rothko/Artists Rights Society (ARS)
No. 9, 1948 Oil And Mixed Media On Canvas, National Gallery Of Art, Washington, Gift Of The Mark Rothko Foundation, Inc. ? 1998 By Kate Rothko Prizel And Christopher Rothko Courtesy Museum Of Fine Arts Houston
Untitled, 1948 oil on canvas, 172.7 x 87.6 cm de Young / Legion of Honour FIne Arts Museums of San Francisco, CA ? Kate Rothko Prizel and Christopher Rothko/DACS 2016
No . 10 oil on canvas Estimate .1,500,000 — 2,000,000USD Betty Parsons Gallery, New York The Cohen Family, Brooklyn, New York （無成交實價即流拍）
No. 1 (1949) Pricere GBP 10,693,000 Estimate On Requestalised Provenance Estate of the Artist (1970).
No. 15 Price realised GBP 1,653,750 Estimate GBP 800,000 - GBP 1,200,000 Provenance Sidney Janis Gallery, New York.
No 8 ,1949
No. 16/No. 12 (Mauve Intersection) Price realised USD 5,382,500 Estimate USD 2,000,000 - USD 3,000,000 Provenance Sidney Janis Gallery, New York.
No. 10 Price realised USD 1,696,000 Estimate USD 1,000,000 - USD 1,500,000 Provenance Betty Parsons Gallery, New York
No.10 signed and dated 1949 on the reverse Estimate .600,000 — 800,000GBP LOT SOLD. 2,546,500 GBP Betty Parsons Gallery, New York Mr and Mrs Joseph Bransten, San Francisco (acquired from the above in 1950) Mr John Bransten, San Francisco (by descent from the above in 1980) Sale: Christie’s, New York, Post-War and Contemporary Art Evening Sale, 11 May 2005, Lot 26 (consigned by the estate of John Bransten) Acquired directly from the above by the present owner 不要疑惑，這兩張確實是同一張畫。 比對發(fā)現(xiàn)，2005年某人在紐約佳士得以1，696，000美元拍得此畫。后臺資料顯示，到了2014年6月30日倫敦時間下午7點，在倫敦蘇富比以2，546，500英國英鎊拍出。（現(xiàn)在100GBP=123.42USD），此刻，在中華人民共和國70周年國慶前夕，羅斯科的此幅作品在九年間升值1，446，890美元。當然漲幅還在繼續(xù)......。
NO 21 , 1949 oil on canvas? Kate Rothko Prizel and Christopher Rothko/DACS 2016
1949 Untitled (Violet, Black, Orange, Yellow on White and Red)
1949 Untitled
1949 Untitled oil on canvas 204.2 x 168.3 cm National Gallery of Art, Washington, DC ? Kate Rothko Prizel and Christopher Rothko_DACS 2016
No 5 ,1949 Oil On Unprimed Canvas , 85 x 63 in.215.9 x 160 cm Chrysler Museum of Art Bequest of Walter P. Chrysler, Jr ? 1998 Rothko Prizel & Christopher Rothko / Artists Rights Society (ARS), New York
No 7 or No 11 ,1949
'Untitled,' painted in 1949 with oil and mixed media on canvas. (Courtesy National Gallery of Art, D.C.; Mark Rothko Foundation; Museum of Fine Arts, Boston)
Untitled , 1949, Oil on camvas , 104,2 X 168,3cm
1950 Untitled
No , 10 1950 , Oil on canvas，7' 6 3/8' x 57 1/8' (229.6 x 145.1 cm) 1998 Kate Rothko Prizel & Christopher Rothko / Artists Rights Society (ARS), New York 1948年，羅斯科的多幅作品呈現(xiàn)出不規(guī)則的色塊特征，這些色塊似乎已經(jīng)固定在畫布上。羅斯科將畫布水平分割成三個主要的色塊，柔和而微妙地融合在一起。在1949年到1950年之間，羅斯科簡化了他繪畫的構(gòu)圖結(jié)構(gòu)，并達到了他的標志性風格。他解釋說:“一個畫家的作品，隨著時間的推移，從一個點到另一個點，其發(fā)展將走向清晰:走向消除畫家與思想之間、思想與思想之間的一切障礙?！?br>
Untitled , 1950 oil on canvas Estimate .8,000,000 — 12,000,000USD LOT SOLD. 12,205,000 USD Estate of Mary Alice Rothko (acquired in 1970) Estate of the Artist (acquired in 1977) (Estate #522.7.50c)
untitled , 1950-2 ? Kate Rothko Prizel and Christopher Rothko/DACS 2019License this image 在他成熟的作品中，羅斯科放棄了對自然的特定參照，而是用普遍的聯(lián)想來描繪圖像。到20世紀40年代末，他已經(jīng)發(fā)展出一種風格，在這種風格中，朦朧而明亮的矩形以垂直的形式漂浮。羅斯科寫道，過去偉大的藝術(shù)成就是在一個完全靜止的時刻，一個人的畫像。他試圖創(chuàng)造他自己的版本的這種孤獨的冥想體驗，縮放他的照片，使觀眾沉浸在他們微妙的變化，大氣的表面。
WHITE CENTER (YELLOW, PINK AND LAVENDER ON ROSE) signed and dated 1950 on the reverse Estimate .Estimate Upon Request LOT SOLD. 72,840,000 USD Sidney Janis Gallery, New York Eliza Bliss Parkinson, New York (acquired from the above before 1960; titled Yellow, Pink, and Lavender on Rose)
No. 5/No. 22，1950 (dated on reverse 1949)Oil on canvas,1950, 9' 9' x 8' 11 1/8' (297 x 272 cm) ? 1998 Kate Rothko Prizel & Christopher Rothko / Artists Rights Society (ARS), New York 這幅畫中的矩形并沒有延伸到畫布的邊緣，看起來只是懸浮在畫布的表面。增強這種感覺是彩色后像的效果。盯著每一個有顏色的部分看，會影響相鄰部分的感知。這幅畫的橘紅色的中心用一點綠色給上面的黃色上色。上面的黃色似乎使橙色染上了藍色。盡管有這些色彩關(guān)系，羅斯科不希望他的照片僅僅因為光譜質(zhì)量而被欣賞。他說:“如果你只是被顏色關(guān)系所打動，那么你就沒有抓住重點。我感興趣的是表達大的情感悲劇，狂喜，毀滅。'
Untitled. 1950. Oil on canvas. Size in Cm: 206,5 x 108.
No 12 , 1951 Collection of Christopher Rothko. Reproduction on canvas
1951 No.6 ( Violet, Green and Red )
1951 No.18
1951 No.24 ( Untitled )
1951 No.25
No. 14, 1951, c. 1949-1951, oil on canvas, 56-1/2 x 65' (143.5 x 165.1 cm) ? 2019 Kate Rothko Prizel and Christopher Rothko / Artists Rights Society (ARS), New York
Untitled, 1951 Oil On Canvas, National Gallery Of Art, Washington, Gift Of The Mark Rothko Foundation, Inc. ? 1998 By Kate Rothko Prizel And Christopher Rothko, Courtesy Museum Of Fine Arts Houston
No. 21 (Red, brown, black and orange), 1951 signed and dated 1953 on the reverse Estimate ,Estimate Upon Request LOT SOLD. 44,965,000 USD Estate of the Artist (Estate No. 5142.53) Marlborough A.G., Liechtenstein/Marlborough Gallery Inc., New York (acquired from the above in 1970)
馬克·羅斯科(Mark Rothko)的一幅名為《21號(紅、棕、黑、橙)》(No. 21 (Red, Brown, Black and Orange)的畫作在2011年11月紐約蘇富比拍賣行(Sotheby's)以4500萬美元成交。(卡爾·考特/蓋蒂圖片社)
Untitled (No. 73), 1952 Oil on canvas, 55 5/16 x 30 5/16 inches High Museum of Art, Atlanta. Gift of The Mark Rothko Foundation, Inc. 1985.27, ? 1998 Kate Rothko Prizel & Christopher Rothko /Artist Rights Society (ARS), New York
Untitled Price realised USD 66,245,000 Estimate On Request Provenance Estate of the Artist
UNTITLED (LAVENDER AND GREEN) Signed Mark Rothko and dated 1952 on the reverse Estimate 20,000,000 — 30,000,000USD LOT SOLD. 20,410,000 USD Marlborough-Gerson Gallery, Inc., New York (acquired from the artist in 1969) Greenberg Gallery, St. Louis Morris Moscowitz, St. Louis, Missouri (acquired in 1970, Estate no. 5056.52) Richard Lang, Medina, Washington (acquired in 1976) Richard Bellamy Gallery, New York Acquired from the above by A. Alfred Taubman in November 1978
No. 15 Price realised USD 50,441,000 Estimate On Request Provenance Marlborough A.G., Lichtenstein/Marlborough-Gerson Gallery, Inc., New York
1952 Untitled
1952 Blue, Green, and Brown
'由于我的畫都是大的、彩色的、沒有框的，而且博物館的墻壁通常都是巨大而可怕的，所以有一種把這些畫和墻壁聯(lián)系起來作為裝飾區(qū)域危險。這將是對他們的意義的扭曲，因為這些畫是親密和強烈的，是裝飾的對立面。' 羅斯科給凱瑟琳娜·庫赫的信，1954年9月25日
Untitled, 1953, Mixed Media On Canvas, National Gallery Of Art, Washington, Gift Of The Mark Rothko Foundation, Inc. ? 1998 By Kate Rothko Prizel And Christopher Rothko Courtesy Museum Of Fine Arts Houston
No 61 , Rust and blue , 1953 Oil on canvas , 292.73 cm × 233.68 cm Museum of Contemporary Art, Los Angeles
GREEN AND MAROON , 1953 Oil On Canvas , 91 1/8 x 54 7/8 in. Phillips Collection Acquired 1957 ? 1998 Kate Rothko Prizel & Christopher Rothko / Artists Rights Society (ARS), New York
1953 Untitled ( Purple White and Red )
Red And Pink On Pink, C. 1953 Tempera On Paper Mounted On Board With Acrylic, The Museum Of Fine Arts, Houston, Bequest Of Caroline Wiess Law. ? 1998 By Kate Rothko Prizel And Christopher Rothko Courtesy Museum Of Fine Arts Houston
1953 Untitled
Blue Over Red Price realised USD 5,616,000 Estimate USD 4,500,000 - USD 6,500,000 Provenance Acquired from the artist
1953 Untitled
1953 Untitled
1953 White, Orange and Yellow
1953 No.4 ( Untitled ) oil on canvas 268.4 x 128.9 cm
1953-54 Untitled
No.9 (Dark over Light Earth), 1954, Oil on Canvas
Untitled, 1954
1954 Untitled ( Blue, Yellow, Green on Red )
1954 Ochre and Red on Red
Homage to Matisse Price realised USD 22,416,000 Estimate On Request Provenance Estate of the artist
1954 Red, Orange, Tan and Purple
1954 Untitled
White Band No. 27 (1954)
Untitled (Yellow and Blue），1954 oil on canvas Estimate .40,000,000 — 60,000,000USD LOT SOLD. 46,450,000 USD Estate of the Artist (Estate no. 5157.54) Marlborough A.G., Liechtenstein/Marlborough Gallery Inc., New York (acquired from the above in 1970)
2015年4月，員工們在倫敦蘇富比拍賣行(Sotheby’s)展示馬克·羅斯科(Mark Rothko)的《無題(黃色和藍色)》(Untitled (Yellow and Blue)。預計售價在4000萬至6000萬美元之間。圖:蒂姆·愛爾蘭/美聯(lián)社
No. 1 (Royal Red and Blue),1954Oil on canvas , 288.9 x 171.5 cm
NO. 1 (ROYAL RED AND BLUE) signed, titled #1 and dated 1954 on the reverse Estimate .35,000,000 — 50,000,000USD LOT SOLD. 75,122,500 USD Marlborough A.G., Liechtenstein/ Marlborough-Gerson Gallery Inc., New York (acquired from the artist in 1969) Mr. and Mrs. David Lloyd Kreeger, Washington (acquired from the above in 1970, Estate no. 5018.54)
1954 Untitled
1954 Untitled
1954 Untitled
1954 Untitled
No. 7 (Dark Over Light) Price realised USD 1,762,500 Estimate USD 2,000,000 - USD 3,000,000 Provenance Sidney Janis Gallery, New York (acquired directly from the artist in 1954).
1954 No. 9 ( Dark over Light Earth / Violet and Yellow in Rose )
Untitled (Red, Blue, Orange) Price realised USD 34,201,000 Estimate USD 25,000,000 - USD 30,000,000 Provenance Marlborough A.G., Liechtenstein/Marlborough Gallery, London
1955 Untitled
Earth green , 1955
1955 Untitled
Untitled signed and dated 1955 on the reverse Estimate .20,000,000 — 30,000,000USD LOT SOLD. 22,482,500 USD Estate of the artist (no. 5004.55) Marlborough A.G., Liechtenstein/Marlborough-Gerson Gallery, Inc., New York
UNTITLED (YELLOW, ORANGE, YELLOW, LIGHT ORANGE) signed and dated 1955 on the reverse Estimate .20,000,000 — 30,000,000USD LOT SOLD. 36,565,000 USD Estate of the Artist (Estate no. 5016.55) Marlborough A.G., Liechtenstein/Marlborough Gallery, Inc., New York (acquired from the above in 1970)
UNTITLED (SEASON'S GREETINGS) signed Mark and Mell Rothko Estimate .15,000 — 20,000USD LOT SOLD. 131,000 USD Ruth Stephan, Greenwich (acquired directly from the artist) New York City Health and Hospitals Corporation/Bellevue Hospital Center, New York 真是沒地方說理了，就這么個隨手勾勒的草圖，而且是小草圖，都能以最低估價的8.7倍成交，賣得13萬1千美元！
1956 Green and Tangerine on Red
1956 Yellow Band
Orange and Yellow , 1956 Oil on canvas , 231.1 x 180.3 cm Albright-Knox Art Gallery, Buffalo, NY, US 橙色和黃色反映了馬克·羅斯科(Mark Rothko)成熟的風格，在這種風格中，兩個或三個矩形被設置在環(huán)繞它們的背景中，但彼此之間又有輕微的分隔。矩形的邊緣從來都不是清晰的，避免了視覺上的中斷，讓觀眾的眼睛以沉思的方式從一個區(qū)域安靜地移動到另一個區(qū)域。 羅斯科不希望我們在看他的畫時想到他，所以他試圖刪除所有創(chuàng)作過程的證據(jù)。為了達到這個目的，他用刷子或抹布在沒有準備好的帆布上涂上許多層薄薄的顏料，帆布吸收了顏料的顏色。許多薄的洗滌幫助給他的畫一個亮度和亮度，好像他們從內(nèi)部發(fā)光。
Untitled ( red ) , 1956 glue, oil, synthetic polymer paint and resin on canvas 209.5 × 125.3 cm Late 19th & early 20th Century Paintings & Decorative Arts Gallery
1956 Green on Blue
1956, Old Gold Over White
Orange and red on red , 1957 Oil On Canvas , 68 7/8 x 66 3/8 in. Phillips Collection , Acquired 1960 ? 1998 Kate Rothko Prizel & Christopher Rothko / Artists Rights Society (ARS), New York
Brown and Blacks in Reds Price realised USD 6,727,500 Estimate USD 6,000,000 - USD 8,000,000 Provenance Sidney Janis Gallery, New York
Untitled , 1957 Oil On Canvas , 91 5/16 x 69 9/16 in , 231.9 x 176.7 cm National Gallery of Art , Gift of The Mark Rothko Foundation, Inc. ? 1998 Kate Rothko Prizel & Christopher Rothko / Artists Rights Society (ARS), New York
1957 No.15 Dark Greens on Blue with Green Band
圖片來源Gettyimages
No. 17 Price realised USD 32,645,000 Estimate USD 30,000,000 - USD 40,000,000 Provenance Galerie Beyeler, Basel
Untitled, 1957, Oil On Canvas, National Gallery Of Art, Washington, Gift Of The Mark Rothko Foundation, Inc. ? 1998 By Kate Rothko Prizel And Christopher Rothko Courtesy Museum Of Fine Arts Houston
No. 7 (Orange and Chocolate) 1957 Collection of Kate Rothko Prizel. Reproduction on canvas
1957 No. 20
No. 46 Black, [Ochre, Red Over Red] (1957) huile sur toile, 252,1 x 207,6 cm.
No 40 (Blue Penumbra), 1957 Oil on canvas, 69 3/8 X 43 ? inches Collection Thomas Ammann Fine Art, Zurich ? Kate Rothko Prizel & Christopher Rothko; Artists Rights Society
? Kate Rothko Prizel and Christopher Rothko/DACS 2019License this image 淺紅色加黑色是一幅大型油畫，畫在垂直方向的長方形畫布上。正如作品的標題所暗示的，這幅畫由兩個大的黑色矩形組成，周圍有一條鮮艷的深紅色邊框，讓人想起窗戶的結(jié)構(gòu)。 鮮紅色區(qū)域的未調(diào)制油漆與周圍模糊的矩形形成對比。這些黑色顏料的區(qū)域被少量地使用，并與藍色顏料混合，創(chuàng)造出脈動、朦朧的形式，給畫布一種運動和深度的感覺。這幅作品是抽象表現(xiàn)主義藝術(shù)家馬克·羅斯科(Mark Rothko)在一張繃得很緊的棉帆布上創(chuàng)作的。畫布的底漆是紅色的，由粉末狀顏料混合成兔皮膠制成。羅斯科在基礎層上又涂了一層，涂完后他把它刮掉，留下一層薄薄的顏色。據(jù)博物館館長兼藝術(shù)歷史學家邦尼·克利爾沃特(Bonnie Clearwater)說，中心的黑色矩形有一個天鵝絨般柔軟的藍黑色底座，用少量鈷紫和可能的錳藍加以修飾(克利爾沃特2006年出版，第179頁)。這些區(qū)域使用大型商業(yè)裝飾刷以快速、破碎的筆觸繪制，這種技術(shù)可以在顏色塊之間創(chuàng)造出渾濁的邊緣。紅色油漆中的膠水在干燥時收縮，使油漆表面呈現(xiàn)啞光效果。 1958年在第29屆威尼斯雙年展的美國館展出了《暗紅色加黑色》，次年被泰特美術(shù)館收購。在收購了淺紅色的黑泰特美術(shù)館之后，他繼續(xù)與羅斯科發(fā)展密切的關(guān)系，并進一步收購了他的13幅畫作，其中包括他在20世紀50年代末著名的“西格拉姆壁畫”系列中的9幅(泰特美術(shù)館T01031和T01163-T01170)。
Black in Deep Red Price realised USD 3,306,000 Estimate USD 4,000,000 - USD 6,000,000 Provenance Sidney Janis Gallery, New York.
No. 16 (Red, White and Brown), 1957
1957 No.16
Untitled ( Pink and White over Red), 1957, oil on canvas, 105 x 116 .
No. 11 (Untitled) Price realised USD 46,085,000 Estimate USD 25,000,000 - USD 35,000,000 Provenance Marlborough Gallery, New York
No. 10, 1957 Oil On Canvas The Menil Collection, Houston. ? 1998 By Kate Rothko Prizel And Christopher Rothko Courtesy Museum Of Fine Arts Houston
Saffron , 1957 Price realised USD 32,375,000 Estimate USD 25,000,000 - USD 35,000,000 Provenance Sidney Janis Gallery, New York
Black Stripe (Orange, Gold and Black) Price realised USD 21,362,500 Estimate USD 15,000,000 - USD 20,000,000 Provenance Sidney Janis Gallery, New York
1957 No.13
“我只對表達基本的人類情感感興趣——悲劇、狂喜、厄運等等。事實上，很多人在看到我的照片時都會崩潰哭泣，這表明我在傳達這些基本的人類情感(……)那些在我的畫前哭泣的人們有著和我在畫它們時一樣的宗教體驗。如果像你說的，你只是被他們的色彩關(guān)系所打動，那你就錯了!” 羅斯科在與詩人兼評論家塞爾登·羅德曼的對話中說道
1958 No.13 ( White, Red on Yellow )
Composition Price realised USD 3,666,500 Estimate USD 4,000,000 - USD 6,000,000 Provenance Albert Loeb and Krugier Gallery, New York
Untitled, 1958 23 7/8 x 18 13/16 x 1 5/16 in. 60.6 x 47.8 x 3.3 cm Yale University Art Gallery , Gift of The Woodward Foundation ? 1998 Kate Rothko Prizel & Christopher Rothko / Artists Rights Society (ARS), New York
Untitled signed and dated 1958 on the reverse Estimate .1,000,000 — 1,500,000GBP LOT SOLD. 826,900 GBP Mrs. Colescott Rankin, Washington, DC (acquired directly from the artist) Mrs. Anne Nitze, New York
No. 10 Price realised USD 81,925,000 Estimate On Request Provenance Estate of the Artist, 1970
UNTITLED (RED/BLACK) signed and dated 1958 on the reverse oil on paper mounted on canvas Estimate .4,000,000 — 6,000,000USD LOT SOLD. 4,170,500 USD Marlborough Gallery, New York Private Collection, Larchmont, New York
1958 No. 24
1958 No. 36 ( Black Stripe ) Price realised USD 40,485,000 Estimate USD 30,000,000 - USD 50,000,000 Provenance Sidney Janis Gallery, New York
Rour darks in red , 1958
No. 9 (White and Black on Wine) Price realised USD 16,359,500 Estimate USD 8,000,000 - USD 12,000,000 Provenance Sidney Janis Gallery, New York
1958 Untitled ( Seagram Mural Sketch )
Black on Maroon , 1958 ? Kate Rothko Prizel and Christopher Rothko/DACS 2019License this image 栗色上的黑色是一幅巨大的無框油畫，畫在水平方向的矩形畫布上。這幅畫的底色是深栗色。正如作品的標題所示，這是一個覆蓋著一個大的黑色矩形，它又包含了兩個更細的，垂直的栗色矩形，暗示著一個窗口狀的結(jié)構(gòu)。黑色的油漆形成了一個堅實的顏色塊，但邊緣是羽狀的，模糊進入栗色的區(qū)域。在栗色中使用了不同的顏料，混合了從深葡萄酒到柔和的淡紫色的紅色調(diào)。這種變化的色調(diào)給人一種深刻的感覺，否則抽象的組成。
Black on Maroon-1 ,1958 《栗色上的黑色》是抽象表現(xiàn)主義藝術(shù)家馬克·羅斯科(Mark Rothko)的作品。他最著名的是，與美國同胞巴內(nèi)特紐曼和羅伯特馬瑟威爾，作為彩色領(lǐng)域繪畫的先驅(qū)。該運動的特點是簡化的組成不間斷的顏色，這產(chǎn)生了一個平面的圖片。栗色的黑色涂在一張繃得緊緊的帆布上。畫布上涂了一層栗色的底漆，底漆是用粉末狀顏料和兔皮膠混合而成的。油漆內(nèi)部的膠水在干燥時收縮，使油漆表面呈現(xiàn)啞光效果。羅斯科在底座上又加了一層涂層，隨后他把它刮掉，留下一層薄薄的顏色。然后，用一個大型商業(yè)裝飾用的刷子快速地、斷斷續(xù)續(xù)地刷上黑色油漆。羅斯科用大手掃過畫布，把顏料涂在畫布上，模糊了顏色塊之間的邊緣，創(chuàng)造出一種運動和深度的感覺。紅色丙烯酸顏料被涂在左下角。隨著時間的推移，隨著畫布上栗色部分的顏料以不同的速度褪色，這些現(xiàn)象變得越來越明顯。
Bliack on maroon , 1958 Oil paint, acrylic paint, glue tempera and pigment on canvas 266.7 cm × 381.2 cm , Tate Modern, London 這幅作品屬于羅斯科獨特的抽象作品，是他在1958年至1959年間創(chuàng)作的三幅油畫系列之一，為位于紐約公園大道西格拉姆大廈(Seagram Building)的四季餐廳(Four Seasons)繪制壁畫。這是一幅矩形畫布上的無邊框油畫，底色為深栗色。他出色地運用了栗色與深紫紅色的混合來突出深度感。黑色矩形包圍了兩個栗色的盒子，形成了一個類似窗戶的結(jié)構(gòu)。
Black on Maroon-2 ,1958 ? Kate Rothko Prizel and Christopher Rothko/DACS 2019License this image 1958年初，羅斯科受委托為紐約西格拉姆大廈(Seagram Building)的高級四季餐廳(Four Seasons)繪制一系列壁畫。這家餐廳由密斯·凡·德羅(Mies van der Rohe)和菲利普·約翰遜(Philip Johnson)設計。羅斯科感興趣的是，他的畫是否有一個持久的背景，可以被視為一個整體。他想創(chuàng)造一個包容的環(huán)境，就像他在1950年和1959年參觀米開朗基羅在佛羅倫薩勞倫特圖書館的前廳時遇到的那樣:米開朗基羅(Michelangelo)在佛羅倫薩梅迪奇圖書館(Medicean Library)樓梯間的墻壁，在潛意識里對我產(chǎn)生了很大的影響。他達到了我想要的那種感覺——他讓觀眾覺得他們被困在一個房間里，所有的門窗都用磚堵住了，所以他們能做的就是永遠把頭撞在墻上。
Black on Maroon , 1958 ? Kate Rothko Prizel and Christopher Rothko/DACS 2019License this image
No. 16 (Red, Brown, and Black)，1958 Oil on canvas，8' 10 5/8' x 9' 9 1/4' (270.8 x 297.8 cm) ? 1998 Kate Rothko Prizel & Christopher Rothko / Artists Rights Society (ARS), New York 1943年，羅斯科和他的朋友、畫家阿道夫戈特利布(Adolph Gottlieb)寫了幾篇哲學論述，這些論述將在未來幾年繼續(xù)指導他的繪畫:“我們喜歡復雜思想的簡單表達。我們之所以贊成大的形狀，是因為它的影響是毫不含糊的。我們想重申一下平面圖片。我們支持扁平形式，因為它們破壞幻覺，揭示真相?！边@幅畫的規(guī)模和表面反映了這些思想。羅斯科放棄了文藝復興時期傳統(tǒng)的三點透視法，認為油畫是通往另一個世界的窗口。多種不同透明度的深色顏料上釉，讓這幅畫的表面看起來很平，但它會顫動和振動，給人一種大氣的深度感。羅斯科希望這些構(gòu)圖策略能引起觀眾的視覺和情感上的沉思，為沉默和反思創(chuàng)造條件。 1957年，羅斯科放棄了他的大部分作品所采用的明亮色調(diào)。除了一些例外，在他的職業(yè)生涯的剩余時間里，他使用朦朧的夜間色調(diào)作畫，比如豐富的紫色、栗色和棕色層，在第16號作品中創(chuàng)造了一種大氣的深度感(紅色、棕色和黑色)。羅斯科曾對一位朋友說:“通常，夜幕降臨時，空氣中會有一種神秘、威脅和沮喪的感覺——所有這些都是同時發(fā)生的。我希望我的畫能有這樣的品質(zhì)?！?br> 這幅畫的規(guī)模和表面反映了這些思想。羅斯科放棄了文藝復興時期傳統(tǒng)的三點透視法，認為油畫是通往另一個世界的窗口。(列奧納多·達·芬奇的《最后的晚餐》就是一個完美的例子)。多種不同透明度的深色顏料上釉，讓這幅畫的表面看起來很平，但它會顫動和振動，給人一種大氣的深度感。羅斯科希望這些構(gòu)圖策略能引起觀眾的視覺和情感上的沉思，為沉默和反思創(chuàng)造條件。
No. 18 (Brown and Black on Plum) Price realised USD 9,602,500 Estimate USD 9,000,000 - USD 12,000,000 Provenance Sidney Janis Gallery, New York
No. 37/No. 19 (Slate Blue and Brown on Plum)，1958 Oil on canvas，7' 11 1/4' x 7' 6 1/4' (241.9 x 229 cm) ? 1998 Kate Rothko Prizel & Christopher Rothko / Artists Rights Society (ARS), New York
No. 15 Price realised USD 8,967,500 Estimate USD 8,000,000 - USD 12,000,000 Provenance Herbert Ferber, New York, 1963
Untitled (Black on Maroon) Price realised USD 27,003,750 Estimate USD 15,000,000 - USD 20,000,000 Provenance Estate of the Artist “一幅畫不需要任何人來解釋那幅畫是什么。如果是幅好畫，畫本身自能表達，試圖去加上任何意義的批評家是非常自大的。”“我們今天需要的藝評，只需要讓人寫下對畫的反應?！?/p> 馬克·羅斯科
Untitled (Seagram Mural Sketch), 1959
Red on Maroon , 1959 ? Kate Rothko Prizel and Christopher Rothko/DACS 2019License this image
Black on Maroon , 1959 ? Kate Rothko Prizel and Christopher Rothko/DACS 2019License this image
Red on Maroon , 1959 oil, acrylic and glue tempera on canvas 182.9 x 457.2 cm , Tate, London ? Kate Rothko Prizel and Christopher Rothko/DACS 2019License this image
Red on Maroon , 1959 oil, acrylic and glue tempera on canvas 182.9 x 457.2 cm ,Tate, London ? Kate Rothko Prizel and Christopher Rothko/DACS 2019License this image
Black on Maroon , 1959 oil, acrylic and glue tempera on canvas 266.7 x 228.6 cm ? Kate Rothko Prizel and Christopher Rothko/DACS 2019License this image
1959 Red on Maroon
Untitled (Seagram Mural sketch), 1959 oil and acrylic on canvas overall: 182.8 x 152.6 cm (71 15/16 x 60 1/16 in.) National Gallery of Art, Washington, Gift of The Mark Rothko Foundation, Inc. Copyright ? 1997 Christopher Rothko and Kate Rothko Prizel
UNTITLED, SEGRAM MURAL SKETCH,1958-59 104 3/4 x 85 in. Collections of Kate Rothko Prizel and Christopher Rothko CR# 648 ? 1998 Kate Rothko Prizel & Christopher Rothko / Artists Rights Society (ARS), New York
Untitled (Seagram Mural sketch), 1959 oil and acrylic on canvas, overall: 183.5 x 152.7 cm (72 1/4 x 60 1/8 in.), Gift of The Mark Rothko Foundation, Inc., Copyright ? 1997 Christopher Rothko and Kate Rothko Prizel
1959 Untitled ( Seagram Mural Sketch )
Red on maroon , 1959 oil, acrylic and glue tempera on canvas 266.7 x 238.8 cm ,Tate, London
Untitled (Seagram Mural Sketch), 1959 Oil And Mixed Media On Canvas, oil on canvas 182.6 x 450.2 cm , National Gallery Of Art, Washington, Gift Of The Mark Rothko Foundation, Inc. ? 1998 By Kate Rothko Prizel And Christopher Rothko Courtesy Museum Of Fine Arts Houston
1959 Untitled ( Seagram Mural )
Untitled (Seagram Mural), 1959 oil and mixed media on canvas, overall: 265.4 x 288.3 cm (104 1/2 x 113 1/2 in.) Gift of The Mark Rothko Foundation, Inc. Copyright ? 1997 Christopher Rothko and Kate Rothko Prizel
1959 No. 301 ( Reds and Violet over Red / Red and Blue over Red ) [ Red and Blue over Red ]
Untitled , 1959
1959 ( Title unknown)
Untitled Price realised GBP 960,000 Estimate GBP 800,000 - GBP 1,200,000 Provenance B.C. Holland, inc., Chicago.
Untitled signed on the reverse Estimate .1,500,000 — 2,000,000USD LOT SOLD. 3,693,000 USD Noah Goldowsky, New York Pace Gallery, New York
Untitled signed on the reverse oil on paper, laid down on canvas Estimate .2,500,000 — 3,500,000USD Pace Gallery, New York Acquired by the present owner from the above in 1996
Untitle ,1960 signed and dated 1960 on the reverse Estimate 35,000,000 — 50,000,000 USD LOT SOLD. 50,095,250 USD The artist Acquired from the above through a gift of Peggy Guggenheim, 1962
1960 Black on Dark Sienna on Purple
Untitled , 1960 Tempera on paper mounted on canvas 48X40 1/8in , （121.9 x 102 cm）
Untitled , 1960 1960 No.7 Untitled Price realised USD 2,536,000 Estimate USD 1,000,000 - USD 1,500,000 Provenance Marlborough Gerson Gallery, Inc., New York 1960 No.14 1960 1960 No.16 1960 Untitled 1960 Untitled
Untitled Price realised GBP 1,945,250 Estimate GBP 1,800,000 - GBP 2,200,00 Provenance Galerie Lawrence, Paris. 1960 Untitled Untitled , 1961 Untitled (Study for Harvard Mural), c. 1961 opaque watercolor on pale green construction paper. Harvard Art Museums/Fogg Museum, Gift of The Mark Rothko Foundation, Inc., 1986.627. ? 2009 Kate Rothko Prizel and Christopher Rothko/ Artists Rights Society (ARS), New York. Photo: Harvard Art Museums, ? President and Fellows of Harvard College. 'No. 1,' ， 1961 oil and acrylic on canvas. (Courtesy National Gallery of Art, D.C.; Mark Rothko Foundation; Museum of Fine Arts, Boston) “我現(xiàn)在的畫面涉及到人類情感的規(guī)模，人類戲劇，我盡可能表達它?！?nbsp; 馬克·羅斯科，普拉特研究所，1958年 No. 14 (Horizontals, White over Darks)，1961 Oil on canvas，56 1/2' x 7' 9 3/8' (143.3 x 237 cm) ? 1998 Kate Rothko Prizel & Christopher Rothko / Artists Rights Society (ARS), New York Blue ,orange, red , 1961 oil on canvas 229.2 x 205.9 cm
1961 Green on Brown
Orange, Red, Yellow Price realised USD 86,882,500 Estimate USD 35,000,000 - USD 45,000,000 Provenance Marlborough-Gerson Gallery, Inc., New York Untitled signed and dated 1961 on the reverse Estimate .18,000,000 — 25,000,000USD LOT SOLD. 31,442,500 USD Marlborough A.G., Liechtenstein/Marlborough-Gerson Gallery Inc., New York Irwin and Bethea Green, Southfield (acquired from the above in 1969) Untitled No. 17 , 1961 Price realised USD 33,682,500 Estimate USD 18,000,000 - USD 22,000,000 Provenance Acquired directly from the artist by the present owner 1961 Untitled
Mark Rothko, “Panel One” (Harvard Mural Triptych) (1962), egg tempera and distemper on canvas, photo: digitally restored scan of a 1964 Ektachrome transparency
1962 Orange, Red and Red ORANGE, RED, ORANGE oil on paper mounted on panel Estimate .2,000,000 — 3,000,000USD LOT SOLD. 3,386,500 USD Marlborough Gallery, New York Private Collection (acquired from the above in 1965) Untitled signed and dated 1962 on the reverse Estimate .700,000 — 1,000,000USD LOT SOLD. 1,085,000 USD Monique Eastman, New York (gift of the artist in 1963) Acquired by the present owner from the above circa 1998 1962 Untitled ( Red-Brown, Black, Green, Red ) 1962 Blue and Grey
Untitled (Rust, Blacks on Plum) Price realised USD 35,712,500 Estimate USD 35,000,000 - USD 45,000,000 Provenance Estate of the artist, 1970 NO. 6/SIENNA, ORANGE ON WINE Signed Mark Rothko and dated 1962 and titled Sienna Orange on Wine and inscribed #6 on the reverse Estimate20,000,000 — 30,000,000USD LOT SOLD. 17,610,000 USD The artist Mr. and Mrs. Bernard Reis, New York (circa 1963) Barbara Poe, Los Angeles (by descent from the above in 1980) Acquired from the above by A. Alfred Taubman in June 1980
Orange, Brown , 1963 No. 202 (Orange, Brown) (alternate title) Oil on canvas Unframed: 89 1/2 × 70 inches (227.3 × 177.8 cm) Untitled Price realised USD 7,175,500 Estimate USD 4,000,000 - USD 6,000,000 Provenance Harold Diamond, New York Untitled , 1963
1963 No.2 Black, White, Blue acrylic on paper laid down on panel Price realised GBP 2,505,250 Estimate GBP 1,500,000 - GBP 2,000,000 Provenance Marlborough-Gerson Gallery, New York. White/blacks/grays on maroon , 1963
1964 No.2 1964 No.4 No. 3 (Plum and Black), 1964
1964 No.5
1964 Untitled ( Plum and Dark Brown ) UNTITLED (PLUM AND DARK BROWN) signed and dated 1964 on the reverse Estimate .8,000,000 — 12,000,000USD The Artist Marlborough A.G., Liechtenstein/Marlborough-Gerson Gallery, Inc., New York (as Plum and Dark Brown;acquired in 1969)
1964 Untitled Untitled Price realised USD 10,096,000 Estimate USD 8,000,000 - USD 10,000,000 Provenance Marlborough A.G., Liechtenstein Untitled This work is being considered for inclusion in the forthcoming Mark Rothko Online Resource and Catalogue Raisonné of works on paper, compiled by the National Gallery of Art, Washington, D.C. Price realised USD 2,629,000 Estimate USD 1,500,000 - USD 2,000,000 Provenance Collection of the artist Untitled （Bliack , red over black on red）, 1964 “我們的通信潛藏著某種危險：我們可能是在進行某種引導，譬如，引導公共如何觀看一幅畫，觀看哪些畫，這看似是對公眾慷慨、有益的，實際上卻會導致公眾思想和想象力的癱瘓（過早埋葬、扼殺藝術(shù)家的方式）。這便是我憎惡序言和訪談的原因?！?/strong> 馬克·羅斯科 UNTITLED (BLUE DIVIDED BY BLUE) acrylic on paper mounted on canvas Estimate .2,200,000 — 2,800,000GBP LOT SOLD. 2,652,500 GBP Private Collection, New York Spark Inc., Tokyo Private Collection, Toyko 1967 Untitled 1967 Untitled 1967 Untitled 1967 Untitled ( Orange ) UNTITLED (RED OVER BROWN) , 1967 Oil On Paper, Mounted On Canvas , 31 x 23 in. Currier Museum of Art Gift of Dr. Albert W. Grokoest ? 1998 Kate Rothko Prizel & Christopher Rothko / Artists Rights Society (ARS), New York Untitled ( Black and white on pink ) , 1967 Untitled Price realised USD 1,212,500 Estimate USD 1,000,000 - USD 1,500,000 Provenance Marlborough Fine Art, Ltd., London (1969) 1967 No.3 1968 Red Untitled Price realised USD 5,541,000 Estimate USD 2,500,000 - USD 3,500,000 Provenance Marlborough-Gerson Gallery, New York Untitled Price realised GBP 501,650 Estimate GBP 450,000 - GBP 650,000 Provenance Marlborough-Gerson Gallery, New York Untitled dated 1968 and stamped by the Mark Rothko Estate on the reverse Estimate .2,000,000 — 3,000,000GBP LOT SOLD. 3,397,000 GBP Marlborough Gallery, New York Kate Rothko-Prizel Collection, New York Galerie Beyeler, Basel Thomas Segal Gallery, Baltimore Private Collection Van de Weghe Fine Art, New York Acquired directly from the above by the present owner 1968 Red, Orange, on Pink Untitled (Red, Orange), 1968 1968 Untitled
Estimate 5,000,000 — 7,000,000USD LOT SOLD. 6,437,500 USD Estate of Mary Alice Rothko Untitled, 1968, Acrylic on paper mounted on hardboard. Untitled Price realised USD 3,189,000 Estimate USD 2,500,000 - USD 3,500,000 Provenance Meals Family Collection, Beachwood, Ohio, acquired from the artist Wine, Rust, Blue on Black Price realised USD 3,189,000 Estimate USD 2,500,000 - USD 3,500,000 Provenance Marlborough-Godard Gallery, Toronto 1968 Untitled
Untitled oil on paper mounted on canvas Painted in 1968. Estimate .3,500,000 — 4,500,000USD LOT SOLD. 7,881,000 USD Marlborough Gallery, New York 1968 Untitled Black, Black on Wine Price realised USD 800,000 Estimate USD 700,000 - USD 900,000 Provenance Marlborough Galeria d'Arte, Rome
Untitled acrylic on paper mounted on board Estimate .800,000 — 1,200,000USD LOT SOLD. 1,082,500 USD Estate of the artist (no. 1220.68) Marlborough Gallery, New York Untitled, 1968Acrylic and paper on canvas 33 × 25 in , 83.8 × 63.5 cm Untitled Price realised GBP 718,750 Estimate GBP 450,000 - GBP 650,000 Provenance Marlborough Galleria d'Arte, Rome (ROS 187). 1968 Untitled
Untitled Price realised USD 1,216,000 Estimate USD 1,200,000 - USD 1,600,000 Provenance Marlborough Gallery, New York. Untitled (Black, Red, Black on Brown) Price realised GBP 3,380,000 Estimate GBP 1,000,000 - GBP 1,500,000 Provenance Marlborough Gallery, New York.
1968 Untitled Untitled acrylic on paper mounted on board Executed in 1968. Estimate .1,500,000 — 2,000,000USD LOT SOLD. 3,064,000 USD Estate of the artist (no. 1284/68) Untitled ， 1968 Synthetic polymer paint on paper，17 7/8 x 23 7/8' (45.4 x 60.8 cm) ? 2019 Kate Rothko Prizel & Christopher Rothko / Artists Rights Society (ARS),New York 1968 Untitled Untitled signed and dated 1969 on the reverse Estimate 2,500,000 — 3,500,000GBP LOT SOLD. 2,561,250 GBP Estate of the Artist Marlborough-Gerson Gallery, New York Untitled , acrylic on paper mounted on board33 1/4 by 25 3/4 in. 84.5 by 65.6 cm , Executed in 1968.The artist (estate no. 1220.68) Marlborough Gallery, Inc., New York 1969 Untitled 1969 Untitled 1. 他早期的作品受到超現(xiàn)實主義的影響。羅斯科用具象的、生物形態(tài)的形式描繪了城市生活的場景，這些形式代表了超凡脫俗的生物和植物。二戰(zhàn)后，他專注于解讀古代神話和宗教，以及永恒的死亡和生存主題。 2. 羅斯科開創(chuàng)了后來被稱為“彩色在場繪畫”的先河。他的標志性風格由充滿活力的色彩和光線的矩形組成，這些矩形似乎漂浮在彩色背景下。這個公式允許羅斯科創(chuàng)造不同的情緒和效果使用不同的顏色和比例。 UNTITLED (RED AND ORANGE ON SALMON) signed on the reverse Estimate .1,200,000 — 1,800,000GBP LOT SOLD. 1,364,000 GBP Marlborough Gallery, Inc., New York The Lionel Corporation, New York Untitled signed, dated 1969, and variously inscribed on the reverse Estimate7,000,000 — 10,000,000USD LOT SOLD. 18,856,500 USD Harvey Honig (acquired from the artist in 1969)The Pace Gallery, New York Private Collection, Los Angeles (acquired from the above in 1985) 1969 Untitled Untitled Price realised USD 3,973,000 Estimate USD 3,500,000 - USD 4,500,000 Provenance Marlborough Galleria d'Arte, Rome
1969 Untitled 1969 Untitled Untitled acrylic on paper laid on canvas Estimate 3,000,000 — 4,000,000 GBP LOT SOLD. 3,333,750 GBP Estate of the Artist Pace Gallery, New York Private Collection, Colorado (acquired from the above in 1985) Pace Gallery, New York Private Collection, New York (acquired from the above in 1990) Galerie Beyeler, Basel Sotheby's, New York, 10 November 1993, Lot 24 Private Collection, New Zealand (acquired from the above) Sotheby's, New York, 11 November 2014, Lot 36 Acquired from the above by the present owner 1969 Untitled 1969 Untitled 1969 Untitled 3.他作品中的色彩似乎是發(fā)自內(nèi)心的。羅斯科畫的顏色很薄，層次分明，互相融合，創(chuàng)造了一個非常微妙的色彩為其余的畫。甚至在他后來的作品中使用的“黑色”也有從下面閃爍的顏色。這實際上不是黑色，而是放在不同顏色上或旁邊的深色。 4. 羅斯科在欣賞他的藝術(shù)時看重個人的經(jīng)驗。他的作品被畫在垂直的大畫布上，意在近距離觀察，給觀眾一種被它們吞沒的感覺，并與畫家分享情感。雖然評論家們稱贊他的風格，但羅斯科認為色彩只是一種工具，而他真正的關(guān)注點“只是表達人類的基本情感——悲劇、狂喜、厄運等等”。 Untitled ( red on red) oil on paper mounted on canvas Estimate 7,000,000 — 10,000,000 USD LOT SOLD. 8,237,000 USD Estate of the Artist (Estate No. 1305.69) Marlborough-Gerson Gallery Inc., New York Untitled Price realised USD 11,000,000 Estimate USD 10,000,000 - USD 15,000,000 Provenance Marlborough Fine Art, London 1969 Untitled 1969 Untitled ( Brown and Grey ) 1969 Untitled 2 5. 他最大的恐懼是他的作品被視為純粹的裝飾。羅斯科建議用不帶任何美學思想的思想來欣賞他的繪畫。他不希望自己的作品被認為是美麗的，而是動人和令人敬畏的。有人懷疑他拒絕了他最有利可圖的傭金，因為他的壁畫只用于展示目的。 Untitled oil on paper laid on board Estimate .6,000,000 — 8,000,000USD Marlborough-Gerson Gallery, New York (acquired from the artist in 1969) Private Collection (acquired from the above, inscribed with the Estate no. 2013.69) UNTITLED (RED AND BURGUNDY OVER BLUE) oil on paper mounted on panel Estimate 9,000,000 — 12,000,000 USD LOT SOLD. 10,515,000 USD Estate of the Artist (Estate No. 2014.69) Marlborough-Gerson, New York Untitled Price realised USD 3,637,000 Estimate USD 2,500,000 - USD 3,500,000 Provenance Marlborough Gallery, New York Untitled , 1969 oil on paper laid on canvas Estimate 3,500,000 — 4,500,000USD LOT SOLD. 4,512,500 USD Estate of the Artist (Estate no. 2012.69) Marlborough-Gerson Gallery, Inc., New York Untitled Price realised USD 944,500 Estimate USD 700,000 - USD 900,000 Provenance Estate of the artist Untitled , 1969 Acrylic on paper , 137,2x107,5 cm Untitled, 1969Oil on paper mounted on linen 31 1/2 × 25 in , 80 × 63.5 cm Blue , 1969 Acrylic on paper 。 （以下同） Untitled , 1969 Acrylic on paperr 6. 羅斯科的作品(和生活)走向了黑暗。他患有抑郁癥，在職業(yè)生涯的后期開始用較深的顏色作畫。有人會說，羅斯科的新調(diào)色板是他1970年自殺的預兆。 7. 他的作品仍然令人垂涎。羅斯科個人擁有800多幅畫作，這在他死后成為一場曠日持久的法律訴訟的焦點。2012年，他的畫作《橙色、紅色、黃色》(Orange, Red, Yellow)以8,690萬美元的價格售出，成為戰(zhàn)后拍賣會上最貴的畫作之一。 1969 Untitled Untitled , 1969 inscribed with the artist's name, dimensions, and estate number 2042.69 on the reverse Estimate 5,000,000 — 7,000,000USD LOT SOLD. 6,056,900 USD Estate of the Artist (Estate no. 2042.69) Pace Gallery, New York Untitled Price realised GBP 923,650 Estimate GBP 450,000 - GBP 650,000 Provenance Marlborough-Gerson Gallery, Inc., New York. BLACK, RED-BROWN ON VIOLET acrylic on paper mounted on panel 39 x 25 1/2 in. 99 x 64.7 cm. Estimate .1,500,000 — 2,000,000USD LOT SOLD. 1,650,500 USD Marlborough-Gerson Gallery, Inc., New York Sotheby's, New York, November 11, 1988, Lot 122 Untitled, 1969, acrylic on canvas, 81' x 93' (205.7 cm x 236.2 cm) ? 2019 Kate Rothko Prizel and Christopher Rothko / Artists Rights Society (ARS), New York
羅斯科邀請了許多紐約藝術(shù)界的精英到他的工作室來欣賞他最新的、也是他最后的一系列畫作《灰色上的黑色》(the Black on gray)。雖然事件主要是在沉默中進行的，但一些人認為這是他死亡的預兆。另一些人認為，隨著月球圖像在流行文化中的流行，它們是對月球景觀的詮釋，而另一些人認為它們是夜間拍攝的照片。 總的來說，他們并沒有被認真對待，這對羅斯科來說是毀滅性的打擊，但也肯定了，因為他經(jīng)常覺得，他的繪畫的內(nèi)部世界只有他自己才能理解?；疑系暮谏苯赢嬙诎咨嫴忌?，缺乏羅斯科喜歡用的那種常見的底色。他只在兩個寄存器中工作，嚴格限制了畫布的顏色，并將畫布縮小到一個更容易接近和親密的大小。光明與黑暗的極端對比喚起了一種悲傷，就像一出心理劇，既有神話色彩，也有悲劇色彩。 1970 Untitled ,acrylic on canvas ( Rothko's final work ) Untitled signed and dated 1969 on the reverse and signed on the stretcher Estimate .12,000,000 — 18,000,000USD LOT SOLD. 12,081,000 USD Mr. and Mrs. Ad Reinhardt, New York (acquired directly from the artist circa 1969) The Pace Gallery, New York (acquired from the above in 1985) Untitled (Black and Gray) Price realised USD 10,681,000 Estimate USD 10,000,000 - USD 15,000,000 Provenance Mr. and Mrs. Bernard J. Reis, New York 1970 Untitled （Black on Grey） acrylic on canvas 80 x 69.1 cm 根據(jù)羅斯科自己的說法，這是死亡的象征。將一個矩形置于另一個矩形之上的矩形是荒涼和空的，這也暗示了在表達方式上的一種模糊感。 Untitled (Black on Gray) 1970, oil on canvas Mark Rothko mit Tochter Kate, fru?he 1950er Jahre 馬克·羅斯科和他的兒子克里斯托弗，大約在1968年 克里斯托弗·羅斯科凝視著父親的作品。(Max Burkhalter攝影) Untitled ，1969 Synthetic polymer paint and ink on paper 40 1/2 x 26 1/2' (102.2 x 67.4 cm) ? 2019 Kate Rothko Prizel & Christopher Rothko / Artists Rights Society (ARS), New York Untitled，1969-70 Synthetic polymer paint on canvas，6' 6' x 66 1/4' (198.1 x 168.2 cm) ? 1998 Kate Rothko Prizel & Christopher Rothko / Artists Rights Society (ARS), New York 這幅畫屬于羅斯科的黑灰畫組。他把畫布分成兩部分，把自己限制在兩種顏色，并引入了一個清晰的白色邊框。有限的調(diào)色板和鮮明的構(gòu)圖與他最為人所知的大氣色場畫有著顯著的不同。這幅畫創(chuàng)作于20世紀60年代的最后幾年，暴露了極簡主義藝術(shù)對羅斯科作品的影響。 Untitled oil on canvas Estimate .15,000,000 — 20,000,000USD LOT SOLD. 39,925,000 USD Estate of the Artist (Estate no. B2-70) Marlborough A.G., Liechtenstein/Marlborough Gallery, Inc., New York (acquired from the above in 1970-71) 羅斯科教堂一直是休斯敦藝術(shù)、建筑和精神景觀不可或缺的一部分，這么長時間以來，我們可能傾向于認為出生在俄羅斯(現(xiàn)在的拉脫維亞)、后來的紐約人馬克·羅斯科(Mark Rothko)是屬于我們的藝術(shù)家。所以對于美術(shù)博物館來說，休斯頓是唯一的組織者之一。 羅斯科教堂將于2019年3月4日關(guān)閉至2019年底，同時進行全面修復。羅斯科教堂被列入國家歷史名勝名錄，是世界上最著名的圣地之一。這座教堂由14幅馬克·羅斯科(Mark Rothko)的不朽油畫組成，無論信仰、精神或宗教背景如何，這些油畫都能激發(fā)人們的精神沉思和參與。 教堂被創(chuàng)建為一個普世和跨信仰的慶祝和沉思的空間，同時也是社區(qū)參與重要社會問題的場所。這座教堂深受藝術(shù)愛好者和那些尋求安靜和沉思的人的喜愛，每年接待來自100多個國家的10萬多名游客。 “我一生中只害怕一件事，就是有一天，黑色會吞沒紅色。” “馬克·羅斯科(Mark Rothko)是抽象表現(xiàn)主義繪畫的先驅(qū)，被廣泛認為是同時代最偉大的藝術(shù)家之一。昨天，他被發(fā)現(xiàn)死于自己位于東69街157號的工作室，手腕被割開。享年66歲。首席法醫(yī)辦公室將死者列為自殺。 羅斯科去年心臟病發(fā)作，朋友們說他最近幾個月一直很沮喪。 和他那一代的大多數(shù)美國藝術(shù)家一樣，羅斯科的早期職業(yè)生涯充滿了掙扎，沒有受到認可。他與杰克遜·波洛克(Jackson Pollock)、威廉·德·庫寧(Willem de Kooning)、羅伯特·馬瑟韋爾(Robert Motherwell)、阿道夫·戈特利布(Adolph Gottlieb)和克萊福德·斯蒂爾(Clyfford Still)一起，在美國著名的表現(xiàn)主義畫家ab stract expressionism的發(fā)展過程中發(fā)揮了至關(guān)重要的作用。 如今，羅斯科先生的monu mental畫布聞名于世，并在全世界范圍內(nèi)收集。1961年，羅斯科在現(xiàn)代藝術(shù)博物館(Mu seum of Modern Art)舉辦了一場作品回顧展，突顯了他作為畫家的重要性?！?/strong> 這是1970年2月26日，美國《紐約時報》的報道。 |
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