展覽時間：2019年9月1日–15日

開幕式：2019年9月1日下午4點(diǎn)

出品人：張寶華

學(xué)術(shù)主持：吳光榮

聯(lián)合策展人：陳杰 史興禾 舒夢 楊雪劍 魯闈(Kelly lu) 張紹庭 張寶華

藝術(shù)家：關(guān)良 楊群

主辦：社創(chuàng)之星 賽睿出國 澳門鐵赤道重型機(jī)車館 （福建）四恩國學(xué)文化傳播中心 北京市日兆九州文化發(fā)展有限公司 感嘆號文化傳播（北京）有限公司

展覽場地：北京市朝陽區(qū)酒仙橋路2號798藝術(shù)區(qū)感嘆號藝術(shù)空間

中國現(xiàn)代藝術(shù)的先驅(qū)——關(guān)良（1900—1986年）字良公。生于廣東番禺，1917年赴日本學(xué)習(xí)油畫，1923年回國任上海美術(shù)?？茖W(xué)校教授，參加過北伐戰(zhàn)爭，任政治部藝術(shù)股長。30—40年代輾轉(zhuǎn)與廣州、上海、重慶等地的藝術(shù)院校任教，曾任浙江美術(shù)學(xué)院教授，上海中國畫院畫師。關(guān)良先生是中國現(xiàn)代畫壇上一位不可或缺的大師，他是最早將西方現(xiàn)代派的繪畫理念引入中國傳統(tǒng)的水墨畫之中。西方現(xiàn)代派中的印象派、立體派、野獸派以及德國表現(xiàn)主義的繪畫作品對關(guān)良影響很大。他在比較中西繪畫的異同之后，把西方現(xiàn)代繪畫和中國水墨戲曲人物結(jié)合到一起，開創(chuàng)中國戲曲人物畫新流派。關(guān)良的戲曲人物不拘泥于具體的情節(jié)及舞臺的服飾細(xì)節(jié)，而是抓住特定情景中的精神，以少勝多，形式上以拙求樸，率真稚趣。進(jìn)入爐火純青的藝術(shù)世界。關(guān)良先生的寫意戲曲人物畫開一代之風(fēng)。

楊群的水墨戲曲人物畫既有傳承又有獨(dú)創(chuàng)，他的傳承源于對畫戲大師關(guān)良畫風(fēng)的敲骨吸髓，潛心學(xué)習(xí)。他的獨(dú)創(chuàng)源于自己個人深厚的民間藝術(shù)功底。從剪紙到木版年畫、從皮影到刺繡、從民間泥玩具到民間雕塑，在吸納民間藝術(shù)的同時，楊群又如饑似渴汲取西方現(xiàn)代派藝術(shù)大師畢加索、馬蒂斯以及新表現(xiàn)主義的繪畫語言。他的水墨戲劇人物畫造型夸張寫意，作品更著重于純視覺的繪畫性。他把中國現(xiàn)代水墨和中國民間傳統(tǒng)藝術(shù)融于一體。楊群的水墨戲劇人物畫散發(fā)著典型的東方藝術(shù)獨(dú)特魅力。

吳光榮

中國美術(shù)學(xué)院美術(shù)館副館長、民藝博物館館長

The pioneer of Chinese modern art — Liang Guan (1900—1986). Born in Panyu Guangdong, China, Liang Guan went to Japan to study oil painting in 1917. In 1923, he returned to China as a professor of the Shanghai Academy of Fine Arts. Later on he joined in the Northern Expedition against the Beiyang government and became the Art Chief of Political Department. In the 1930s and 1940s, he taught in various art schools across China including those in Guangzhou, Shanghai, Chongqing. He was also a professor of the Zhejiang Academy of Fine Arts and a painter of the Shanghai Chinese Painting Academy.Mr. Liang Guan is an indispensable master of modern Chinese painting. He was the first person to introduce the concepts of western modernist painting into Chinese traditional ink paintings. Impressionist, Cubist, Fauvism and German Expressionist paintings have all had a great influence on Liang Guan. After comparing the similarities and differences between Chinese and Western paintings, he combined modern Western painting styles with traditional Chinese paintings to create a new genre of Chinese ink opera character paintings. Liang Guan’s paintings do not focus on story plots or costumes details, but capture the spirit of a scene. He uses simple and clumsy strokes, painting like a child. Mr. Liang Guan, the innovator of freehand style opera characters painting, has created paintings that have reached a perfect state.

Qun Yang’s ink opera paintings are both inherited and original. His inheritance stems from his painstaking study of master Guan Liang's painting style and his originality stems from his personal experience of studying and creating traditional folk art. From paper-cutting to woodblock New Year paintings, from shadow puppetry to embroidery, from traditional clay toys to traditional sculptures, while drawing from traditional Chinese folk art, Qun Yang is hungry for the artistic styles of modern Western art masters Picasso, Matisse and of the Neo-ist movement. His ink opera figures are exaggerated and freehand, and the work focuses more on purely visual painting. He integrated Chinese modern ink painting with Chinese traditional folk art. Qun Yang’s ink-and-wash character paintings exude the unique charm of typical oriental art.

Guangrong Wu

Deputy Director

Art Museum of the China Academy of Art

Director

Folk Art Museum of the China Academy of Art

關(guān)良作品

貴妃醉酒（33×45cm）

孫悟空三打白骨精（68×33cm）

戲劇人物（28×75cm）

武松打虎（33×30cm）

晴雯補(bǔ)裘（53×35cm）

戲劇人物（40×44cm）

楊群簡介

1958年11月生，安徽淮南人

1978年考入安徽師范大學(xué)美術(shù)系

1982年美術(shù)系版畫專業(yè)畢業(yè)

1985年任教阜陽師范學(xué)院美術(shù)系

1986年在南京舉辦版畫雙人展

1989年中國美術(shù)館舉辦《中國剪紙大獎賽》獲一等獎

1989年入中央美術(shù)學(xué)院民間美術(shù)系深造

1990年在日本東京世田谷美術(shù)館舉辦個展

2006年中國美術(shù)館今日中國美術(shù)大展

2014年798感嘆號藝術(shù)空間2014水墨展

2015年中澳美育交流華人藝術(shù)家大展

2016年《北京國際藝術(shù)博覽會》參展

2017年北京民族文化宮《戲如人生·楊群畫戲》個展

2017年《北京藝術(shù)博覽會》參展

2018年798感嘆號藝術(shù)空間《楊群戲劇人物水墨畫》個展

2018年北京宋莊《國粹精華·楊群戲劇人物水墨畫》個展

2019年新加坡《好戲連臺·楊群戲劇人物水墨畫展》

2019年法國《好戲連臺·楊群戲劇人物水墨畫展》

2019年《向大師致敬·關(guān)良·楊群戲劇人物水墨畫展》

楊群的水墨戲劇人物畫有著新表現(xiàn)主義繪畫藝術(shù)的特征，造型自由隨性，充分展現(xiàn)了中國水墨畫和中國戲曲的寫意精神，作品有著東方藝術(shù)的獨(dú)特魅力和現(xiàn)代視覺審美。 其作品被美國洛克菲勒家族，美國量子基金會、法國中西文化學(xué)會、法國尼姆現(xiàn)代美術(shù)館、法國尼姆大都會秘書長、新加坡政務(wù)部部長、澳大利亞布里斯班洲議員等重要機(jī)構(gòu)和藏家收藏。

現(xiàn)居北京，職業(yè)藝術(shù)家。

Introduction to YANG QUN

Qun Yang was born on November 1958. He graduated from Normal University of An Hui with a major in printmaking in 1982 and taught in the Art Department of Teacher’s College of Fu Yang in 1985. In 1989, he entered the China Central Academy of Fine Arts for further studies. He has participated in various competitions and exhibitions in the past few decades.

Exhibitions and Competitions List

1986 – Two-person’s Printmaking in Nanking

1989 – First prize in the Papercut Competition in Chinsese Art Museum

1990 – Personal exhibition art show in the Art Museum of Setagaya in Tokyo

2006 – ‘Present China’ art exhibition in the China Art Museum

2014 – Chinese ink show in the 798 Exclamation Art Space in Beijing

2015 – Chinese Art Exhibition at the China-Australian Conference of Art Education

2016 – Beijing International Art Fair

2017 – “Life is like a play” Qun Yang’s painting at the National Culture Palace of Beijing

2017 – Beijing Art Fair

2018 – Qun Yang’s Chinese ink opera characters paintings at the 798 Exclamation Art Space, Beijing

2018 – Qun Yang’s Quintessence of China, Chinese ink opera characters paintings in Song Village, Beijing

2019 – Qun Yang’s “One good show after another” Chinese ink opera characters paintings in Singapore

2019 – Qun Yang’s “One good show after another” Chinese ink opera characters paintings in France

2019 – Salute to the Great Master – Liang Guan – Qun Yang Chinese Ink Opera Character Paintings

Yang’s art is infused with "Chineseness" both embraced with traditional atmosphere and modern trends. He was introduced as early as the 80s by 'Chinese Art’ newspaper, “Arts” magazine and “Jiang Su Visual Arts”. He is included in “The Yearbook of Chinese Art 1949-2014”

His works have been collected by the American Rockefeller Family, Quantum Funds, France’s Nimes Museum of Contemporary Art, Nimes’ Metropolitan Secretary General, the state senator of Brisbane, Australia and the minister of Singapore’s government. As a professional artist, Yang currently lives in Beijing.

戲人圖（50×50cm）

武劇圖（50×50cm）

雙 雄（50×50cm）

丑 角（50×50cm）

叱詫風(fēng)云（50×50cm）

戲 人（50×50cm）

武 劇（50×50cm）

人生如戲（50×50cm）

京劇人物（50×50cm）

戲曲人物（50×50cm）

武劇圖（50×50cm）

征戰(zhàn)圖（50×50cm）

鳳義亭（50×50cm）

楊群的戲劇人物畫傳承畫戲大師關(guān)良先生。作品充分展現(xiàn)了中國水墨畫和中國戲曲的寫意精神。楊群對于筆墨的運(yùn)用，既傳統(tǒng)又很現(xiàn)代，是非常難得的一位畫壇新生力量，非?？删?。

石 齊

北京畫院畫家