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編者按： 時(shí)光荏苒，“雙語(yǔ)印章史”欄目的最后一期如期而至。 過(guò)去，我們一起探究了中國(guó)印章的文字演化、印制遞變、文化風(fēng)尚變遷、印章辯偽等知識(shí)；下周起，我們將帶領(lǐng)大家進(jìn)入全新的欄目——“歷代書論”，共同領(lǐng)略中國(guó)書法藝術(shù)的魅力，及其藝術(shù)價(jià)值和藝術(shù)生命，敬請(qǐng)期待。 篆刻藝術(shù)的審美（三） Aesthetics of Engraving Art (Part three) 篆刻作品的人文形象與情感魅力，則更多地蘊(yùn)藏于作者、用印者和創(chuàng)作背景之中。通過(guò)邊款、印文，往往解讀出蘊(yùn)含其中的思想與情景。一方印章往往串聯(lián)著一段友情、 一樁人事、 一則史實(shí)甚至一生世間滄桑。這是僅為方寸空間的篆刻與明清以來(lái)中國(guó)文人精神生活緊密聯(lián)系在一起的奧秘所在。 The humane image and individual charm of a seal engraving artwork reside predominantly in the creator, the user and the creative background. The sides and words on the impression face often reveal the emotions of creator. Seals often de-scribe a friendship, an anecdote, a history, or even a lifetime story of twists and turns. This is the hidden secret that forms a close connection between seal engraving, a great art within the space of an inch, and the spiritual life of Chinese literati. 明，戴本孝刻“冒襄”六面印，上海博物館藏 Imprints of the six-faced seal of “Mao Xiang” (冒襄) engraved by Dai Benxiao. Ming Dyansty. Shanghai Museum 因此，明清及近現(xiàn)代篆刻與古代璽印一樣，既是具有不同鑒賞品格的藝術(shù)品，又是具有豐富研究?jī)r(jià)值的學(xué)術(shù)史料。凝聚于文人篆刻作品之中的各個(gè)時(shí)期藝術(shù)、人文、思想的信息，構(gòu)成了中國(guó)印章歷史文化與藝術(shù)的獨(dú)特價(jià)值。 Therefore, like ancient seals, the seal engraving works of the Ming and Qing dynasties and of modern times are works of art with different esthetics and also historical materials of rich academic research value. The information about art, culture and thought in different historical periods that is condensed in literati seal engravings constitutes a unique value of the history, culture and art of Chinese seals. 昌化雞血石章，上海博物館藏 Changhua bloodstone seal Shanghai Museum 璽印的歷史已經(jīng)終結(jié)。憑信形態(tài)的印章也逐漸從中國(guó)當(dāng)代民眾生活中淡出 。但中國(guó)印章在此之前早已完成“華麗轉(zhuǎn)身”，向著新的方向前行。當(dāng)代篆刻藝術(shù)隨著社會(huì)經(jīng)濟(jì)生活品質(zhì)的提升與文藝振興而獲得更活躍的生命力。 The history of seals has already ended. Seals as a means of authentication have also made a gradual exit from modern Chinese life. However, Chinese seals completed their fabulous metamorphosis before these changes occurred and started to advance in a new direction. The art of modem seal engraving has acquired more vigor and life as China's society, economy and quality of life improve and as the entire realm of culture and art is reinvigorated. 清，獅鈕田黃石章，上海博物館 Changhua bloodstone seal Shanghai Museum 創(chuàng)作群體結(jié)構(gòu)更趨多元，藝術(shù)理念不斷更新，藝術(shù)風(fēng)格譜系進(jìn)一步拓展，是當(dāng)代中國(guó)篆刻藝術(shù)進(jìn)入新階段的鮮明特點(diǎn)，也是超越于明清時(shí)代文人篆刻發(fā)展?fàn)顩r的顯著標(biāo)志。 There is greater diversity among groups of seal engraving artists, greater innovation in artistic ideas and philosophies, greater expansion of artistic style schools… all clear evidence of modern seal engraving entering a new stage and indicators that modem seal engraving has surpassed Ming and Qing scholar seal engraving. 現(xiàn)代，來(lái)楚生刻“杭人玄廬” “Modest House of a Man from Hangzhou” (杭人玄廬) engraved by Lai Chusheng. Modern age 篆刻藝術(shù)孕育于悠遠(yuǎn)的璽印時(shí)代，將與整個(gè)民族文化一一起，走向更為悠遠(yuǎn)的將來(lái)。 Seal engraving was conceived in the distant past, in the age of ancient seals, and will surely keep on moving forward, advancing into an even more distant future. 責(zé)任編輯：朱小雨、易曄 您的轉(zhuǎn)發(fā)與點(diǎn)贊是對(duì)我們工作的最大鼓勵(lì)！ |
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